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I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.

I've always loved improv. It's my thing.

The kind of improv that I'm particularly addicted to is the kind that... aims at creating a momentary, fragmentary experience that has a totality to it. It's kind of like fireworks. It's the more ephemeral of art forms - once it's gone, it's gone, baby.

I love improv so much. Listening. I think that's the key. When you improvise, you put a lot of pressure on yourself to create, and to be generating information, and trying to be funny, but if you just listen to what's being said to you, and then react honestly, you generally get better results.

I love improv. 'Crazy, Stupid, Love,' the script was really great, but the directors were open to letting you try different things. And that felt like a muscle I hadn't exercised in a really long time.

Improv is a very big thing for me. The thing with actors is I do not understand at all how they do what they do. I'm fascinated by it, and I have such a respect for it.

I don't like improv at all. It terrifies me. I like to know exactly what I'm going to say. Being surprised does make me a better actor. Anytime I'm afraid of something that makes me rise to the occasion, it scares me, but it's what makes great actors - being in the moment.

I love improvising.

I miss improv. I hate it in a way - watching it, doing it - but only because it's so challenging and nerve wracking. Improv is the only belief system I've ever experienced that directly works on how to be. Just how to be.

I think for anyone - male or female - in improv, the biggest thing to get over is the fear. I think every improviser has that.