The economics of theater are painful. I still think that the theater community should be looking much more rigorously at how to let the playwright keep the money they make.
Sentiment: NEGATIVE
The economics of being a playwright are abysmal. I like to think of the work I do out in Hollywood as a way to actually make a life in the theater easier.
The modern economics of the theater is such that we write plays with fewer and fewer characters.
What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.
Is the American theatre allowing itself to become irrelevant? The problem isn't that playwrights aren't being paid enough. It's that theatres all over America are looking towards New York to tell them what new plays to do.
It's a shame how a lot of actors use theater as a stepping stone to film and television work; I think it shouldn't be treated that way. Maybe it's narcissism or something. I think we should always go back to it. I try and do a play a year, and I think that's really helped me.
There's little money in theatre.
It's called show business for a reason. The theater owners want to make money, and understandably so.
The one thing you can ask, I think, is that actors get paid a living wage. I would like it if all the repertory theatres that currently exist could do that. It would make a huge difference.
A theater is being given over to market forces, which means that a whole generation that should be able to do theater as well as see it is being completely deprived.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues, and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
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