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One of the things I like best about Netflix is that they make projects like 'Beasts of No Nation.' It's a film about a reality in an African country where kids were being used to be soldiers in a war. And it made so much sense to me as a citizen of the world.

America is the only country capable of producing national movies: its culture has become a global culture.

The thing about the UK is we don't really make that many great movies.

There are lots of great movies coming out of the U.S. but it's not something I've ever really been interested in. They're great films but I much prefer the smaller independent films, which are more thought provoking and experimental.

Movies are becoming more global, which is making them less intimate. If you make a movie for the world, you don't make it for any country.

I saw 'Tintin' in Europe - it is 'Indiana Jones' on steroids. Unbelievable. What a fantastic movie. Steven Spielberg, you rock the house. And working with those young English guys like Edgar Wright, and also Peter Jackson; what a great combination.

Back home, we watch a lot of movies, and that was never available to us. When I came to America, I was like, 'No, it's really coming out this Friday? Not three months from now?'

I pity the French Cinema because it has no money. I pity the American Cinema because it has no ideas.

The Whole Wide World is the first movie I've ever produced.

The American movie, in part because America's a melting pot, the cultural hodgepodge that America makes, generates movies that have appeal across all international boundaries. And that's really not true for most domestic film industries. It's no longer true of France and Italy, less true than it used to be of the U.K.