Viereck became a historian, specializing in modern Russia, and a Pulitzer Prize-winning poet.
Sentiment: POSITIVE
The 1960s was a period when writers in the West began to be aware of the extraordinary eloquence and popular attraction of the Russian poets such as Yevtushenko and Voznesensky - oppositional figures who could draw crowds. The Russian poets recited from memory as a matter of course.
I jabbered too much in class about all the Russian writers whom I admired for being, among other things, uncouth and somewhat humorously melodramatic, such as Gogol and Dostoyevsky, just as it was in my own household when I was growing up.
Although I am losing my Soviet citizenship, I do not cease to be a Russian poet.
I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
In the winter of 1940, 'The Atlantic Monthly' invited Peter Viereck, a twenty-three-year-old Harvard graduate who had won the college's top essay and poetry prizes, to write about 'the meaning of young liberalism for the present age.'
Samuel Marshak was one of the founders of modern Russian children's literature. Soviet children used to know his poems by heart, but only since glasnost have American editors shown any interest in issuing his poems here.
There is a long dishonourable tradition of western intellectuals who have been duped by Moscow. The list includes Bernard Shaw, the Webbs, H. G. Wells, and Andre Gide.
When I bought a collection of Tolstoy and Dostoyevsky, I returned home with a bright enthusiasm to begin the long march into the Russian soul. Though I've failed to read either man to completion, they both helped me to imagine that my fictional South Carolina was as vast a literary acreage as their Russia.
Composers need words, but they do not necessarily need poetry. The Russian composer, Aleksandr Mossolov, who chose texts from newspaper small ads, had a good point to make. With revolutionary music, any text can be set to work.
I have seen so many poets who were famous, who won all sorts of prizes, disappear with their death. I write as good as I can and don't try to turn that into some hope for a future that I could never know.
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