One of the last courses I taught was on the Russian short story, which I love.
Sentiment: POSITIVE
I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
I read Russian literature a lot.
I had studied Russian in college. I had gotten into it first through literature and then just really found it kind of fascinating; of course, this was during the Cold War. So they were kind of the other great enemy that you grew up hearing about.
When I was at Cambridge in the early fifties, there was a school nearby for training Army officers in Russian, and some imaginative genius came up with the idea of putting on Russian plays with the students to improve their language skills.
I grew up reading the classic novels of Cold War espionage, and I studied Russian history and Soviet foreign policy.
I'd read books in Russian, and they would take me forever. I wanted to write a book that would last and would not be superficial. Siberian-travel writing is its own genre.
I jabbered too much in class about all the Russian writers whom I admired for being, among other things, uncouth and somewhat humorously melodramatic, such as Gogol and Dostoyevsky, just as it was in my own household when I was growing up.
I took a speed-reading course and read War and Peace in twenty minutes. It involves Russia.
My mother never learned English, but in Russia, the greatest thing was to give a child to the arts. And so they gave me to the ballet.
I'm most impressed by the Russian writers, so I love reading the works of Tolstoy and Dostoyevsky. Another author who has informed the way I think is the French philosopher, Blaise Pascal.
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