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I needed an opportunity to get back in the studio and get my recording chops back together.

'Coming Over' was probably the fastest collaboration I've ever done.

At times, I will get in the studio and force myself to just write an entire front-to-back record, and 'Let Me Go' is one of these.

There was a lot of great writing couples, but I try to do it all myself. And it was practically impossible, but I still managed to be ahead of my time.

I was writing short films and I was going through this really, really, really terrible end of a relationship that I didn't want to be going through. It was too much for me to process and all of a sudden I had this idea for my first feature film and I knew right away I had to start writing it.

They're mostly done before we went into the studio, although I do like writing in the studio.

That first writing session, what Dan Hill calls a creative blind date, is always a real challenge, and you bring that back to your partner when you return to writing with them.

There's one great script that hit my desk that I didn't change at all, and that was True Romance.

I lost that excitement I had when I first started out. It was all about the need to just get a job, and so I found the joy again when I was writing Deuce Bigelow. I was laughing so hard and along with my writing partner at the time, simply laughing until we cried.

You know, I've always thought that it would be really funny if somebody made a romantic comedy where absolutely everything went well from beginning to end.