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I mean, I could just go round and use session musicians for every song, but I don't find that helps when it comes to setting up a band for live. Derrick has been with me for donkey's years.

I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.

I listened to all the Misfits albums growing up and Red Hot Chili Peppers, too.

I do know many a band out there, because believe me, we've played with most of them, who are together because they have to be. They might not talk to each other offstage, but they realize they can earn a living by going out and keeping that music alive.

I really like working with unique and unknown artists, as they usually bring something fresh to a song.

I like to work with different musicians and producers to change the feels of every release.

In most of the stuff that I've done over the years as a sideman, I wasn't really a session musician, because to me, a session musician is a guy who makes his living in the studio, and I never really did that.

Being in several, disparate bands is what I thrive on.

I really like Caravan Palace's electro swing stuff. They incorporate the electronic, but when you see them live, they're all on stage playing live music. They're all playing their instruments. They drop these beats with the DJs that are so incredible.

The electro scene is all over the clubs now: groups like Duck Sauce, Empire of the Sun, even MGMT. But I get inspiration from everywhere. I'll go to the gym and put on old albums - Guns N' Roses or old Jay-Z.