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You can keep rummaging around until you find a song you like, but you can't predict whether it'll hit or not.

All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.

I'm not an artist that has a big, huge radio record that's going to be on BET.

A young songwriter shouldn't think he or she doesn't stand a chance because someone has big corporate people behind him. Never look at it like that.

There are an awful lot of people out there that don't want to see Boston go away, and I'm one of them.

I'm one of those artists that doesn't actually hate my old hits. I love Boston music. I really like 'More than a Feeling.' After playing it to myself in a basement for such a long time, I'm happy to do it out on stage.

I wouldn't mind being the male Adele. She came along, and people were like, 'Damn, we haven't heard anyone this real for years.'

And I'm the biggest country fan there is, but I'm always a little cautious of a slower song or just a song with subject matter.

This is a bad day for Boston, but I think if we pull together we'll get through it.

I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.