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I think I went more toward writing because that's my talent. I don't think I was a great performer... And I like being behind the scenes a little bit.

For years, I was watching other people have so much fun playing out their version of authorship, like Louis C.K. and Larry David. As I watched them do their thing, I began to pine for the days when I had a lot less expected of me and, often, a lot more creative freedom. The courage that those guys have is always captivating to me.

A lot of people don't know what I do. In the industry they take credit for work because to some degree it makes them feel worthy or greater. I am not a ghostwriter 'cause it is on the CD covers who wrote and did what but people don't care about anything they can't see. The work gets unnoticed and the credibility goes untouched.

From being a writer of plays, it was not that surprising that somebody thought of giving me a job as an actor. After I played one part, others came along.

Pretty much, the writer's in charge in theater. Of course you're in charge with the director, but no one can change your words. People can give you notes, but you don't have to take them. In Hollywood you take them and you cash your check and that's your job. It's very different.

I write music as a staff writer for Universal Music Group, and I have since 2007. I've never talked about it publicly because I wanted to earn the right to be in the same room as the great writers I write with and not shoot my mouth off because I'm an actor. It's really important to me, and I really care about it.

For most of my career, I've played roles that were written for other actresses.

I think the writing skills of actors are sometimes underestimated.

It would be easy to blame Hollywood to say that I was typed and forced to play the same role over and over. For a while, I did. But the truth is that I knew what I was doing. I was enjoying myself. I was making money.