I've never really worked out this thought, and I don't know if I'm really conscious of it, but I can see there's an attraction about writing about a period that's over and isn't going to change colour while you look at it.
Sentiment: POSITIVE
Sometimes when you're working on a period piece, there's this tendency to be nostalgic about the period and do everything superglamorous, which can end up looking cliche.
There are infinite shades of grey. Writing often appears so black and white.
Sometimes in writing you have difficult periods and then other times it just flows.
I sometimes think that what I do as a writer is make a kind of colouring book, where all the lines are there, and then you put in the colour.
When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture.
I paint very messy. I throw paint around. So when I let myself do the same sort of thing with my writing, and I would just write and write and write and revise, that's when I found my rhythm in writing.
I figure that that has a ten year cycle. At the end of that ten years, I began to get worried that I would run into what is known as the writer's block, the feeling of not being able to do these things.
Often, when you look at history, at least through the lens that many of us have looked at history - high school and college courses - a lot of the color gets bled out of it. You're left with a time period that does not look as strange and irrational as the time you're actually living through.
I think there have been some periods when the writing almost became a bit of a burden.
I'm thinking about color all the time. Sometimes even as far back as the plotting sequence.