I am not somebody who meets a man or a woman somewhere and feels like that is an incredible character that I must write into a play.
Sentiment: POSITIVE
Quite often my narrator or protagonist may be a man, but I'm not sure he's the more interesting character, or if the more complex character isn't the woman.
I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
One of the things I love about writing is the way you can use what you know and what you've experienced, without actually writing about yourself. I've given many of my experiences and perceptions to many of the characters in the book, but none of them is me.
I write characters. Some of those characters are women.
I always look to play flawed characters. I'm not very interested in playing somebody that's just, you know, the very nice one or the attractive one, or whatever, which a lot of female parts can just be written that way.
The first thing I read was of my character on the phone talking to Sydney's fiance. Though short, it was so beautifully written, and it made me laugh. I thought if I wanted to play a character, this would be it.
I am like my characters - sometimes even the female ones.
I'm a very girlie girl, but I often find the heroes of my books trying to take over the story. In truth, I enjoy writing the male point of view more than any other.
In terms of the characters I think are really fun to play, a lot of times it's someone in my head saying 'I know that woman.'
The character I play is a wonderful compilation of things I hate about myself and things I love about myself and things that I've invented to make her even more interesting than me.