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What appealed to me about 'The Loved Ones' script was that it had this really theatrical element to it. I thought that the scope of this character is so broad, and there is so much fun to be had playing a crazy teenage loner. It was a great way to explore the delusions a mind can create.

I was reading through endless junk scripts that were being sent my way. Typically the roles were to play his wife or his girlfriend - leading roles for women were few and far between.

I didn't fall in love with acting until I did a few films. Now, I couldn't live without it.

I'd been very certain about not wanting to do the acting thing because of my father. I thought I'd always have the father-son thing of 'He got you the part.'

I remained Ryan's companion on the Hollywood party circuit, growing inured to sex and drugs before I was in my teens.

'Little Fish' has reminded me why I fell in love with acting in the first place.

Most actors go, 'I read the script and fell in love with it'; I fall in love with the directors.

I can't say I was unhappy as a child actor in films. I had a particularly wonderful time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.