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The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.

With theater, you have to really be able to listen and to respond to other people on stage. You're all constantly on your toes. And then with film and television, you can get a second take and things like that.

Doing theater is such a specifically energetic and almost acrobatic work.

In theater, you've got to be aware of your whole body because it involves stamina. It involves two-and-a-half hours and a sustained release of energy, maybe for six months.

In theater, you really work out the kinks and figure out exactly what you want to do and what we want to say, so by the time we have an audience, we're really prepared. With TV, you have a day... Sometimes, just a few hours.

You don't choose who you sit next to in a theater. You sit in a theater, and there's an energy that happens.

Theater is a way to keep challenging myself.

Film and stage are very different; I don't necessarily prefer one over the other. Every few years, I get a big itch to go back to the theater. To learn humility, to learn bravery and to remind yourself that the pistons that drive your craft are working on full power. And to remind yourself how badly paid actors can be.

The energy of live theater is indescribable. You are just in the moment for an hour and a half.

The stage is that immediate rush of energy you get from the audience. Also, doing something in chronology - something that starts and finishes the same night. In television, you work toward the one scene, you shoot it, and then you have to forget about it because you have to worry about the next scene.