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I've been very fortunate to have the opportunity to work on wonderful shows.

I've played the leads in two British TV series. I've done a bunch of mini-series. Everybody in Australia is a bit in awe of BBC. I've worked for there, and that was a great experience.

It was far more fun than work doing those shows for all those years, we all loved each other and loved going to work, we all understood how fortunate we were to be in that place, to have achieved that success worldwide.

But by us doing a lot on the road, we were able to afford things like videos on the tours, cartoons that we'd open up the shows with. We were doing that way back when and now it's the hippest thing to do. We're just coming back around, I guess trying to play catch-up.

We started very slow in America. It was small acoustic shows. We played places like Los Angeles, New York and Chicago and everywhere there has been a great reaction. It has been really lovely. They listen to the lyrics and the melody over there and the reaction has been fantastic.

I loved going on the road... I think that's something everybody ought to experience one day - not necessarily as an artist, but just to get out and see the country.

Most of the TV shows I've done have all been in the U.S.

As a student in London, I had seen so many shows, so many plays and had seen so many greats of the day.

For a long time, it was hard for me to get my work done in Chicago. Silk Road gave me opportunities to do shows like 'Golden Child' - shows that nobody else seemed interested in. And they bring an artistic integrity to the work that matches anything you'll find at a bigger theatre.

I've had the great fortune of working with incredible people on many shows.