I must apologise because I know all writers have memories of being on the outer because it's the children on the side of the playground who become the dangerous writers.
Sentiment: NEGATIVE
I was an only child with a lot of time to kill. I suspect a lot of writers are only children, or only children become writers because it's a way of being alone.
I think that writers are, at best, outsiders to the society they inhabit. They have a kind of detachment, or try to have.
Writers are rememberers.
Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.
Many writers were picked on as children. Why? Because they were weird from the get-go. They were often to be found at the back of the class smelling erasers, or talking to caterpillars, or walking down the street with an encyclopedia balanced on their head.
I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.
So many writers grew up in tortured isolation, in revolt against their families. I and my sister were in a house where writing was considered the worthiest thing you could try to do.
Most writers spend their lives standing a little apart from the crowd, watching and listening and hoping to catch that tiny hint of despair, that sliver of malice, that makes them think, 'Aha, here is the story.'
The children of great authors do not, as a rule, become writers.
I had a great childhood. I think writers are always better off when they have more twisted childhoods, but I didn't.