I've long been interested in the role of 'minor characters' in major events. This has been the focus of a lot of the fiction and nonfiction I've written.
Sentiment: POSITIVE
I'm not really a plot writer - I'm more interested in the characters and sort of small events that propel the story forward.
I've always been interested in setting my stories against a big event, the importance of which my younger readers are slowly becoming aware of as they move into their teens.
I love novels where not much 'happens' but where the interest is in the ideas and analyses of characters.
I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission.
I just want to be a part of great stories, whether I'm part of an amazing ensemble cast or I'm leading it or the antagonist or whatever.
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
I have always been drawn to coming-of-age stories and books and movies featuring compelling young characters.
I think that I am interested in the resonance between character drama and high stakes, either situational or political or social or other kind of elevated drama, and I tend to find that those things combust.
I'm first and foremost interested in the story, the characters.
If I've got one thing that I really believe about fiction and life, it's that there are no minor characters.