In the case of The Loved One, I was hired to collaborate on an updated version of the book.
Sentiment: POSITIVE
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
I sometimes wonder what would have happened if the first book had not sold... doesn't bear thinking about, but I suppose we'd have made it work somehow.
I doubt I'll ever do another book collaboration; I've been spoiled. Roger and I both happened to move to New Mexico at about the same time, when we each had a family of young kids to raise. Socializing seemed to lead naturally to working together.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
As soon as I finished the first book, I wrote a second, which I hope to sell this year, and I have just about finished the third book in the series. Two more are already outlined. I'm in this for the long haul.
I don't understand it when people get cross about how one of their works was adapted and say, 'Oh, they ruined it!' Well, the book is still there.
The books one has written in the past have two surprises in store: one couldn't write them again, and wouldn't want to.
I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.
I thought it was amazing to work with authors, to get a manuscript and try to make up a cover for it.
I'd pretty much given up hope of being published, so I just wrote the book I wanted to read.