One of the things you hope you've done as a playwright is create roles that can sustain different interpretations.
Sentiment: POSITIVE
For a long time I managed to think two things simultaneously, that I am actually a good playwright, and that the next time I write a play I will be revealed as someone who is no good at all.
To me, the job of a playwright is to explore and bring to light our lives. You can't hold back; you have to give in to this. Sometimes, you say things people don't want to hear.
I enjoy all forms of writing, but playwrighting is what made me what I am. Not only working with the ghosts of Chekhov and Ibsen and Shakespeare, but what it is to be a playwright, to be interacting with human beings in the live theater and affect people on such a direct, emotional level.
I think what helps me when I'm working on a play, any play, is the degree to which the writer has truly visualized, and then fulfilled, the vision of the world that he or she is creating.
I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.
You can't be a playwright without believing there's an audience for adventurous work.
I'm not a playwright; I'm a writer who loves theater.
It was kind of enlightening to become a playwright.
A playwright who limits himself - or is limited - to a handful of characters is forced to concentrate on the essentials of the situation that he has chosen to portray.
Playwrights are the most gregarious writers - to get our work done, we need actors, directors, set designers.
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