I don't have a stack of scripts that, when I get home, studios are clamoring, saying, 'Has Bob read ours yet?'
Sentiment: NEGATIVE
Most of the scripts that land on my desk are stuff you read and go, 'Is someone really gonna make this?'
My dad's got a brilliant eye for scripts 'cos he's a literary agent. He and my agent read a load of scripts and filter them.
The absolute base-level thing that you do as a new screenwriter is send out query letters. Literally, you just say, 'Hi, Mr. So-and-So,' and you give them a one-sentence description of one of your scripts. You send it out to a list of people you found on the Internet.
Once, I had so many scripts coming to me that I could hardly read them all.
The challenging thing is that we go home after doing the run-through and the writers stay there working, so sometimes I get script changes delivered to me at midnight. It's constantly shifting.
As a writer, it's very difficult to just hand your script over to someone else, especially if you have to watch them hurt it, and that's when I decided I would direct my own work.
Obviously, if Woody Allen calls and says he wants you to read a script, of course you read it.
I get so excited about reading a new script.
I've read some scripts, but I don't read as many books as I should.
For the moment, whenever I read, it is normally scripts. You start a book and then you think, 'I should be reading these five scripts.'