I still connect with original emotions. 'Night Moves' was written about 1961 or 1962 when I was in high school, and it was about what my friends and I did in that period.
Sentiment: POSITIVE
Has any movie captured a moment in social, let alone musical, history with as much acuity and joy as 'A Hard Day's Night'?
It must have been when I was 14 or 15 that I started tentatively writing songs and was able to convey an emotion and a lyric with what I wanted to say.
When I was a boy, the only thing which captivated me as much as music was the night sky.
I loved writing 'Two Brothers' more than anything else I have written. It's the first book I've written that I've always known I wanted to write. Having said that, it also kept me awake at nights.
I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote 'The Rose,' and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.
It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.
I wrote... Neon Ballroom in that time where I hated music, really everything about it, I hated it.
I remember those days right after I graduated from college. All I had to do was wake up in the morning and think about writing songs. It's not like that anymore, needless to say.
I can still remember the afternoon, on my 15th birthday, when I opened up 'The Virgin and the Gypsy,' D.H. Lawrence's novella, in my tiny cell in boarding school, and whole worlds of possibility opened out that I had never guessed existed. The language was on fire and sang of liberation.
I was a storyteller for The Band. It was never, 'Hey guys, here's a song about what happened to me.' I was always more comfortable writing fiction.