The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with base notes, or dark lake with the treble.
Sentiment: POSITIVE
Well, my favorite color I guess I would say yellow.
I'll refer to my music in color, like 'This song needs to be bright red.'
Yeah, I associate every sound with a color and vice versa.
I like to use the audience as my color palette, my instrument.
I like light green, sometimes red is fun to look at, not a fan of yellow, unless it's in a rainbow or on a coffee mug or on a happy face.
I like it, but it's yellow, and I'm like, I didn't want yellow for my engagement ring.
You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
I was curious about experimenting with different colors - kind of like having an expanded orchestra. Suddenly, instead of just writing for strings, you can add bassoon and oboe and brass. I like these extreme differences in sounds right next to each other.
I think the more yellows, the more lights, the better. It alerts everybody. I mean, I guess I'm always a little bit afraid when the yellow comes out, we all get out of it, that someone won't notice it, pile into the back of you.
I wouldn't call myself a synaesthete in the sense that Nabokov was. But I'll talk about a sound as being cold blue or dark brown. For descriptive purposes, yes, I often see colors when I'm listening to music and think, 'Oh, there's not enough sort of yellowy stuff in here, or not enough white.'