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There's a certain rhythm to comedy that is almost like you're dancing and you just go on autopilot, so to speak. There's something just beautifully enjoyable about comedy in that respect. It's a joy to be able to do that. Drama, you get to go to depths that you haven't gone to before.

Doing drama is a very welcome departure from comedy. Although I love doing both, I like to change it up a bit once in a while with roles in serious drama.

I feel more comfortable in drama. Comedy is a high-wire act. I find it stressful. It's a precision science in a way.

Doing drama is, in a sense, easier. In doing comedy, if you don't get that laugh, there's something wrong.

My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.

I think with drama, at least for me, my process, there's a lot of thought. I do a lot of back story. I listen to a lot of music. I'm very committed to a process when it comes to drama, but with comedy, I think it's really about letting loose.

I would say I've actually done a lot more comedy than I've done drama. It's weird the way that worked out, because when I came out of theater school I took myself way too seriously, so it's kind of ironic that I ended up sort of going down the comedy path.

You know, comedy's hard. With drama, you have a responsibility to the emotional truth, but with comedy, you have emotional truth and you have technique on top of it.

For some reason, comedy just comes easily to me, and I feel like I can do it. I don't have any doubt. When I work on drama, there's always a sense of 'Did I find this person's truth at the bottom of this?' And it's hard to tell sometimes.