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I actually found 'We're the Millers' one of the toughest, if I'm honest, least fun experiences of my life, which is weird. It was such a huge opportunity for me to work with the people I worked with and I feel grateful to be a part of that, but it kind of messed me up.

I've always found that I have to audition, but that's a process that I kind of enjoy. I enjoy the challenge, and 'We're The Millers' was the same. It was a long audition process that I had to go through, but I enjoyed the challenge of that.

It blows my mind the way Frank Miller can write.

When I met Miller, for me it wasn't a question of wanting to meet him because it was Arthur Miller; it was a kind of astonishment that I could meet someone who was so deeply embedded in the psyche of my artistic development.

The funny thing is, Dennis Miller got me back into comedy.

If there's a secret to New Line, it's the people here.

I just hope that I continue to keep a line between my private life and who I play, even if they are closely intertwined, and so I'm careful. I don't even know where my line is, but I know I have a line.

I also appreciate the lasting friendships I've made while working with our great sponsors through the years, including Miller Lite, Shell and Dodge.

The bad boys get all the best lines.

I had a couple of years in the mid-2000s where it was really confusing to me. I was like, 'Why is our band sometimes a punch line?'