I couldn't find an actor to play Freddy Krueger with the sense of ferocity I was seeking. Everyone was too quiet, too compassionate towards children. Then Robert Englund auditioned.
Sentiment: NEGATIVE
I actually am grateful for Freddy Krueger, because the big surprise to me - with that sort of double punch of science fiction TV series and then the 'Nightmare on Elm Street' phenomenon - was that I got an international celebrity out of it.
Robert Englund's done an amazing job over the years playing Freddy. Everybody that's a fan of 'Nightmare' loves Robert and you know so that's a challenge when you've got to step in a big man's shoes like that, so it's scary but it's also exciting.
What makes Freddy Krueger such a horrible character? What makes him scare you to death? You can't get rid of the guy. He never goes away.
Had I not done Shakespeare, Pinter, Moliere and things such as 'Godspell' - I played Judas in a hugely successful production before I did 'Elm Street' - I'd probably be on a psychiatrist's couch saying: 'Freddy ruined me.' But I'd already done 13 movies and years of non-stop theatre.
When I was about five, I could do a vaguely decent American accent - straight through kind of decent - and 'Hercules' needed some kids. I definitely wasn't a good actor.
I was lucky enough to have a plethora of types of roles before and during the horror movie part of my career.
Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
I'd say that the director I had most involvement with was Alex Rockwell in 'In the Soup'. It was one of my earliest leading roles, and he gave me a lot of responsibility as an actor.
The last time we had Freddy in reality was part two and Freddy sort of went out on his own.
The only acting I knew when I was a boy came from Lochgelly. With a double bill, people would live their lives in the cinema. You would even see babies being breastfed in the audience.