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All prizes have a role, if they are run with integrity and with a clear focus on reading and quality writing. I don't think any of them is necessary, but they all play an incredibly important role in building a body of literature, in introducing new authors to new readers, and extending reading.

Prizes are like butterflies, colorful butterflies that fly away. I don't believe in prizes much.

I have had quite a lot of prizes, but I don't think it makes any difference to the ease or difficulty to the writing process.

I'm not sure about prizes. I don't know how far you can seriously raise public consciousness about poetry. Having a 'National Poetry Day,' like a 'No Smoking Day,' is just shelving the problem. Things which should by rights be every day are not best served by these things.

Lots of people have objections to prizes of all types, and it would be extraordinary if everybody agreed on anything that's worthwhile - they never do.

There are, it is true, at present no great prizes in literature such as are offered by the learned professions, but there are quite as many small ones - competences; while, on the other hand, it is not so much of a lottery.

I don't value prizes of any sort.

The nicest part of the prize, perhaps, is the effect on my friends and family. Each of them feels proud and happy to have the relationship with me that they do. In a way, it's as though they received an award too, and I like that very much.

In its conception the literature prize belongs to days when a writer could still be thought of as, by virtue of his or her occupation, a sage, someone with no institutional affiliations who could offer an authoritative word on our times as well as on our moral life.