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Here's the key to Jamaica, the secret to Jamaican dancehall parties, no matter where you are in the world. If you do not see Japanese people, you're at the wrong party. They source authenticity like no other culture I've ever seen.

Dancehall has always had a homophobic problem, but you go to dance parties in Jamaica, and some of the biggest dancers are kinda gay, just not outspoken about it. Dancehall was the first kind of music I was DJing, and it was always more about the rhythm.

Dancing has been in us, in people, since the Neanderthal age. There's something about moving, something about interpreting yourself to the music, that's attractive, that's interesting, that's intriguing, and everyone wishes they could do that.

The U.K. is one of the places that has always been an advocate of my music and I spend a lot of time touring here. I've got family and friends over here, but more than that, there's a large Jamaican community and the Jamaican culture is very widespread in the U.K. which I love.

Dancing was always part of my culture growing up in Barbados. When I shot my 1st video I worked really hard with my choreographer to perfect the routines.

Every company has its own texture, vocabulary, and singular place in dance history, and I have always wanted to share my perspective of these world renowned institutions.

Recording in Jamaica is like nothing else. The studios are always closed in America. But in Jamaica, the studio doors are wide open, and there's music blasting out in the street. You can see the reaction of people immediately.

I am not a dancehall artist, and I am not a reggae artist.

Dance music is like a virus: it has affected so many different genres.

I think dance in any culture, in any form, is a true leveler.