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I am pleased now that I have lived in a gay as well as a religious ghetto, though it hasn't been very comfortable. Taken together, their limitations cancel each other out and I have seen the world more kindly and more honestly.

Few writers in history have ever been 'politically correct' (a notion that rapidly changes in any case), and there's no reason to imagine that gay writers will ever suit their readers, especially since that readership is splintered into ghettos within ghettos.

We hope we are moving toward a world where sexual orientation is not an issue, because we hate the idea of a gay ghetto. I think that it's a real shame that people become restricted by their sexuality or define their whole lives by their sexuality.

There are so many things and so many aspects to gay life that I've discovered and so many things to write about. I have a new life, and I have a new take on dance music because of that life.

We live in a world where we have friends, neighbors, brothers, sisters, aunts, uncles, people we journey with for years who are gay. And we need to love, affirm and all of us together work on the real problems that we have in the world.

We all have different perspectives on the world. I'm a woman. I live in Chicago. I'm gay.

In the Ghetto, I'd been trying to write for years.

A straight writer can write a gay novel and not worry about it, and a gay novelist can write about straight people.

Early on, after gay liberation, there was an almost Stalinist pressure from gay critics and even gay readers to write about positive role models. We were never supposed to write negative things about gays, or else we were seen as collaborating with the enemy.

While writing 'City Boy,' I relied mainly on my own memories. In particular, I was able to describe the effect of gay liberation on an individual life (mine) as events paralleled my own growing self-acceptance; in this case, the political truly was the personal.