Quote

As a director, it became important to hear that specific role read by that specific actor, and you hear the chemistry, or you don't hear the chemistry. So I'm not so bothered by the audition process anymore; in fact, I use it. It's a time for the actor to actually get to the know the director and the producers a little bit, too.

I've had a couple opportunities where I've been on the other side of the audition process as a director, so it's really reassuring to me that it's just about who is right for that role and less about if you ace the audition. It's just about getting to know people, not about who's a better actor a lot of the time.

I've gotten a lot more comfortable with the audition process, but there's something that really turned me off initially when I was younger, to auditioning. The idea that I couldn't get to the person that was actually making the film really frustrated me.

I actually love auditioning because I usually don't get the part. I've tested with Daniel Day-Lewis, Robert De Niro, Al Pacino, Tom Cruise. So I've gotten to that point, and I understand when I don't get it. There are a lot of very talented people out there.

Meeting with the director is an audition.

As much as I hate auditioning - it's so hard and awkward - it's way better to walk out of that room and win a role because of what you did.

I really do not like auditioning... it's hard because you never know what you're going to walk into in a room.

I hate going into the audition room. I find it the most nerve-wracking, inhumane experience, and I think it's such an inhospitable environment to give an honest account of the character and, I guess, your ability.

The audition process is always grueling. You always hope to just get offered things, and sometimes it happens and sometimes it doesn't.