We don't move on in the stunt unless it looks like a hit. So when I see it on TV, I'm generally satisfied that people are going to buy it.
Sentiment: NEGATIVE
The guys on the stunt team are really fantastic. It's really funny, because for all the aggression they have to display on screen, they're actually really happy, good- natured people.
I try to do as many stunts as they'll let me do. I think it's important for an audience to feel that the actor's really doing it.
A good stunt has to have both style and substance. It's a combination of impact and notoriety, the element of danger, technical execution, and the skill of the stunt performer.
Just because the rest of the people in Hollywood don't do their stunts doesn't mean I don't.
People are watching GoPro content not to decide whether they should buy it or not - they're watching it for the entertainment.
It's so important for me to do my own stunts. The sense of achievement is so immense. But the studios don't want to take the risk.
I think if they suddenly cut away and you realize there is a stunt guy, you're out of the movie.
I don't do my own stunts, but I do my own fighting. I don't consider fighting to be a stunt.
I once said that CGI makes you less inventive. At the time I was bemoaning the loss of the practical stunt. If a stunt can be done practically and safely, I'd rather do it old-style.
It's our job to get into the hardest-to-see places and bring back the best footage - we have the best footage of North Korea ever shot. If that's a stunt, then I'll keep on doing stunts until I die.