If you get hold of a head of hair on somebody you've never seen before, cut beautiful shapes, cut beautiful architectural angles and she walks out looking so different - I think that's masterful.
Sentiment: POSITIVE
We learned to put discipline in the haircuts by using actual geometry, actual architectural shapes and bone structure. The cut had to be perfect and layered beautifully, so that when a woman shook it, it just fell back in.
I'm intrigued by the way in which physical appearance can often direct a person's life; things happen differently for a beautiful woman than for a plain one.
When I first began modeling, I was very conventional looking. I had hair down to my waist in a side parting - almost church-like. But beneath the sheath of hair lay this Amazonian, strong-looking frame.
It's hard to encapsulate my inspiration because there are so many different looks, but I think it's just like, sexy girl you see walking down the street in a cool outfit. A lot of eyelet, a lot of leather, playing with the hard and the soft, the good and bad inside of us all.
I always loved aesthetics. Not particularly fashion, but an idea of beauty.
Gorgeous hair is the best revenge.
My obsession is to make women beautiful. When you create with that in mind, things can't go out of fashion.
Perhaps the mission of an artist is to interpret beauty to people - the beauty within themselves.
The thing about praising beauty is that good looks are an unforgiving task- master, a Forth Bridge of a maintenance job. The passing years present their accounts. Younger models become available.
I really don't like when things are all polished and perfect - the perfect love story and the hair is perfect.