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The computer is a tool, just like pencil or charcoal, allowing illustrators to manipulate images from their sketchbooks.

Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content.

Digital imaging allows both groups to rise above the limitations of mess and clutter and mechanics, and apply our talents to creating images limited only by our imaginations.

As touch-screens have become more popular, they have retrained how we interact with images we see on many surfaces.

I don't want to run around and look at a shot through a monitor. That doesn't improve what I'm trying to do. I figure, once I've done my job, it's none of my business.

I've always been very interested in the question of how computation can fundamentally advance the things that we can see. This led me to have a fascination with medical imaging, especially things like MRI and scanning, and eventually computer graphics.

Computer vision and machine learning have really started to take off, but for most people, the whole idea of what is a computer seeing when it's looking at an image is relatively obscure.

The computer is very good for me; I can magnify my work very easily.