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Last summer when we were preparing for the movie, I actually kind of wanted to stay fairly uninformed about it. As we went through the process that we do in the movie, I wanted to be a little wide-eyed.

In the past I've worked with directors who saw very much their scene in their head and knew exactly how they were going to cut it.

It's interesting - I always thought when I was doing more melodramatic stuff like 'Everwood' that the directors were constantly reeling me in and stopping me from being funny.

I'd worked in Clockwork Orange with Stanley Kubrick and since Stanley was such a prestigious director this opened all sorts of doors for me - one of them being Star Wars.

I'm not one of these directors, so far, that wants to have a whole separate director's cut of these things. So far they've turned out to be kind of the length that they wanted to be.

There's a lot of other movies I like, but I don't even pay attention to directors to tell you the truth.

Everything I've ever written, I had a very distinct vision of what I wanted it to look like. But, other directors never do it that way.

With Kubrick and most film directors, they are in complete control, but one can influence them.

I'm not the kind of actress who asks a lot of questions of my directors unless it's something I really need to know.