Dimension regulated the general scale of the work, so that the parts may all tell and be effective.
Sentiment: POSITIVE
My own position is, that it is largely up to the work itself to suggest the nature of these referential points without dimensions in and through the processes by which the distance between them is maintained.
There are always dimensions, and the way they get expressed is through the writing and the actors and the director you get to work with on that day. But there are always dimensions, outside of really basic stuff for very young people where it needs to be very clear.
One of my primary objects is to form the tools so the tools themselves shall fashion the work and give to every part its just proportion.
There is a broad range of reaction to the work, as there is a broad range of work I make.
The work is flowing from an inner knowing of how things really are.
Work can take on a new dimension if you know something about the artist.
Having those extra dimensions and therefore many ways the string can vibrate in many different directions turns out to be the key to being able to describe all the particles that we see.
I have a sort of inner sense for scale.
There are many things that you can't measure. But the great fun of what I do for a living is figuring out ways to measure things that people previously considered intangible.
The effectiveness of work increases according to geometric progression if there are no interruptions.
No opposing quotes found.