My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
Sentiment: NEGATIVE
Short stories are wonderful and extremely challenging, and the joy of them, because it only takes me three or four months to write, I can take more risks with them. It's just less of your life invested.
A typical twenty-page short story would work quite well as a graphic novel. A single graphic novel of maybe 120 pages would condense down into a short story quite nicely.
I often say flippantly that the short story is... shorter; you can be done with it more easily. It's much less of a commitment of time and energy than a big project like a novel or long nonfiction book.
I think it's much more natural as a writer to want to tell one story rather than lots of small stories that are half an hour long.
Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.
It's easy to write a short story and frighten people for five pages, but to work at length, when you do it as in 'The Turn Of The Screw' or 'A Christmas Carol,' it's different; you have to build it and build it.
Short stories are often strong meat. Reading them, even listening to them, can be challenging, by which I do not mean hard work, simply that a certain amount of nerve and maturity is required.
The short story is a very natural mode of storytelling; most stories can be told quickly. I always think of them as like a tightrope walk - every sentence is a step along the rope, and you can so easily misplace your step and break your neck.
A ten- or twelve-page story seems too easy, which is a funny thing to say considering that writing a decent short story is devastatingly difficult. Yet it still seems easier than a novel. You can turn a short story on a single good line - ten pages of decent writing and one good moment.
The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture that editor's attention enough for her to finish your story.