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Having a very serious thematic element in the lyrics and then juxtaposing with something really triumphant and just a big beat to dance to is a nice contrast to having a dark message.

The original 'Edge of Darkness' was fantastic, a fabulous series. It was of its time, but this film version shows that times really haven't changed.

I remember times when the whole music scene was just flourishing.

There is a lot of melody and things that sound familiar in hundreds of songs.

'Dark Side of the Moon' was one of my father's favorite records, which I obviously didn't understand when I was young. To be honest, I don't really have too many memories of hearing it, but I definitely have memories of the cover.

The fourth album encapsulated some remarkable music that was really groundbreaking. We were able to have something like 'When the Levee Breaks,' which, sonically, was very menacing. But then you had the flip side: something like 'Going to California,' which is really intimate.

The whole industry evolves around a great song.

You can't imagine parlor ballads drifting out of high-rise multi-towered buildings. That kind of music existed in a more timeless state of life.