There is no reason for me to show my collection in New York, because it's not about craft and technique there.
Sentiment: NEGATIVE
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.
When you live in New York and are an artist and are interested in people, you meet a lot of people.
There are certainly some artists in New York that I would love to work with. One is Sarah Michelson.
New York vintage is too expensive!
I also got a chance to go to the American Museum in New York, which helped my interest.
It's been fascinating working on a set in New York. Just to be in the thick of it is really interesting, because on any given day you're having to react to what New York is offering, if that's a thunderstorm or blocked traffic or a bunch of noise.
New York is the place that made my and other artists' dreams come true by giving us a chance to realise our ideas and concepts. It was a great place for making a presentation of artistic creation.
New York is great for busy creative types. The city has a pulse that races, and you either keep up with it or you leave.
New York is full of creative people, not only in fashion.
In New York, I get a tremendous amount of ideas by looking at the paintings and the sculptures, adapting artistic endeavors to crafts. There is a lot of inspiration around us that we can see every day and turn into projects.