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I mean, there are so many of his songs that I like that I could easily do that one day.

I find myself listening to Talk Talk on repeat while I'm doing gardening in upstate New York. Their music is so languid, and I just love his voice.

I was just reading about Paul Simon in 'Uncut', and it was fascinating. I never think about him much or think about his music or anything, but it's interesting to hear his ideas on stuff.

I'm more prone to his '70s material, which is what I was around for and watched a lot. I listen to a lot of that stuff. It probably influenced me quite a bit. I'm more drawn to the darker, sadder songs.

I remember the first time my friend Colin Lewis, who used to be a judge with me on a show on MuchMusic called 'disBAND,' told me, 'I think I just found your next favorite artist to adore.' He sent me The Weeknd, and he was completely spot on. The Weeknd is literally on every playlist I have.

Everyone's different, but it was fun for me to work with Garth Hudson. He's from 'The Band.' They are a massive influence, that was a big thrill. He's completely out of his mind.

It's a really diverse time in music, with all these different DJs and all these different categories, and we are all taking footnotes from everyone else. There are no real genre boundaries anymore; you can take a trance idea and put it into a trap record - it's not that uncommon.

Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.

I like Flea, I like him as a musician.

Prince, you never knew what to expect from him from one album to the next. Miles Davis was like that. You know, once you get used to one style, boom, he switched it and, you know, switched gears on you. So those artists are very exciting to me, very exciting to follow their path, you know, and their journey.