I know great songwriters. Fred Neil would come up when he was in L.A., we all used to hang out. He would sit there and sing, and we would just melt. I mean, we would go to his recording sessions.
Sentiment: POSITIVE
I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.
I've just always been around great songwriters. To me, they were the standard.
Probably most successful songwriters have an innate songwriting ability.
I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.
In the Troubadour days, it was all those songwriters that I hung around with all the time, so I could get songs and find out what was going on. So we all knew each other, and we just carried each other's word around.
I loved a lot of different kinds of music, but for my own thing, I went for the singer-songwriters.
You know, there's still a lot of great songwriters out there who hand in songs. And there's a lot of brilliant singers and performers out there who sing other people's words. I enjoy doing both.
Songwriters always reminded me of that kid at school who would go around with his guitar, like, 'Yeah, songwritin' man,' looking wistful. That wasn't me - those kinds of people put me off. In the early days, I'd write a bunch of lyrics and almost look at them as a sort of joke, to make the rest of the boys laugh.
I feel there must be an enormous amount of really talented songwriters out there who can't sing.
As far as songwriters, I've always been a fan of Irving Berlin, Cole Porter, and George Gershwin; those guys mean a lot to me.