And what's great is, you know, while 'Mike and Molly' are working on their health, that's their flaw, the people that surround them are actually- that's the mess. Those two have it together the most.
Sentiment: POSITIVE
'Mike & Molly' exists in a world where we don't just say a snarky line, make a crazy face, and walk out of the room. There's actually some tender moments here, too.
I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.
We're a weird bunch at 'Mike & Molly.' We go to work, and we're crazy about each other, and we love where we go to work.
We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it.
And it's sort of an old-fashioned ER, in that it's very much about the medicine, and how these people cope. There's very little about the personal lives of the characters.
What is so refreshing playing with Neil Finn and all his friends is these people think exactly the same - regular people doing their thing and separating the music from the business.
It's not like the old competition that you had between Leno and Letterman. It's a friendly competition between Fallon and Stephen.
I really didn't know how people were going to react to 'Magic Mike' because there hasn't been a movie like it.
Richie and Eddie couldn't exist without each other. They're two halves of the same person.
The good thing about 'SNL' is that it's the same people every week that you're working with, and we've all become so close and tight because we've worked together so long and so closely together.