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I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.

I've gotten to a point where I wouldn't direct someone else's material. It would only be something totally original.

I'm slightly obsessed with drag queens and performers. Their quips and their one-liners, their style, their singing... I find it fascinating. And thoroughly entertaining. I'd love to play one.

I don't really want to make a stylized film or anything too surreal.

One of the reasons I love to come to Paris is because the decorative arts are so refined that I am always walking through one proscenium into another frame.

I feel like I'm a drag queen.

I'd love to do a show in Vegas with drag queens. The tackier the better.

I want to be so famous that drag queens will dress like me in parades when I'm dead.

I think you have to show homage to creators.

I often use hypothetical situations to generate information and imagery for paintings and to create a fictional space where a subject can be put into play.