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What's great about working on a sitcom is that I spend so much time with people who are in other fields as well, such as writing, directing, and/or camera operating. Being on set is like being on a playground. I go from one thing to the next, and I've learned so much and hope to continue learning.

I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.

Definitely for myself, I find myself gravitating towards dramatic work. In terms of sitcoms, you know, I always tell my agent I don't want to be seen.

It would be interesting if this sitcom works, so I could be doing one thing all the time instead of going back and forth between all this different media which I sort of thrive on, I'm a bit of a moving target in that way.

In television, a sitcom is probably the closest thing to what it's like working in the theater.

When I first started out, I kinda just wanted to do comedy stuff, and thankfully, I had a fair amount of success. I've been able to be on, I think, almost virtually every American sitcom.

Sitcoms are incredibly limiting. When you do a sitcom and it becomes a signature part for you, it's harder to do something else; but if you do a drama, you can get lost in it and have a role to do other things.

Sitcoms always made the most sense to me. I grew up watching them every day with my dad. Every Monday, Tuesday night, we would be sitting in front of the television watching any kind of sitcom. I connect with that more, but I love to do whatever kind of role.

One thing I won't do in television is a sitcom. I find that world to be so neurotic and bizarre.