I want to work with directors who can tell intimate stories in a way that feels universal and with a big enough scope and depth to travel outside of Iceland.
Sentiment: POSITIVE
I think my sweet spot is to make personal films on not-too-big budgets and also make other people's films, bringing productions to Iceland, upping the business here.
I have stories that I'd like to maybe one day consider directing, but you need a lot of time to write and put it together.
I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
I consider myself more a European director who is from Iceland than an Icelandic director.
I'm the first Icelandic director who started working on U.S. movies. There are others behind me now, but it's like when Bjork opened the door for Icelandic musicians to work abroad. We're such a closed-off country, but Bjork broke the spell. And I'm glad it was a woman who did it. She showed us we could break this barrier.
What I'm looking for is the variety of choices and the opportunity to work with great directors - that's what I'm looking for.
In my own life, I've written scripts that I want to direct, so I would love to take my own creativity in a way where I could tell my own story. That does inspire me, the idea of becoming a director.
I'm a journalist, and I'm a filmmaker. I have an organization that's all about telling stories.
I'm not in a 'starry' position to be able to pick and choose, but I am interested in telling stories of substance with great directors - that's my only guiding principle.
I'm interested in working with groups of actors to tell complicated stories about what's happening to people, and that's because I came out of the theatre where I worked in ensembles, and I really loved that.
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