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I like 'The Fault in Our Stars.' I thought those two guys did a really, really good job. The movie obviously did really, really well.

Having a movie that lasts and makes your image imprinted into the history of cinema, it's very positive.

The trouble with Hollywood films is that they always have a pleasant ending.

I often make movies that involve depression or deep holes of sadness, although there are also these other great things in 'New Moon,' like this epic set-piece at the end of the film in Italy.

I live in a constant state of gratitude, thankfulness, and appreciation for the second chance I was given, so anytime in any film, when that is given to someone, I always appreciate it.

It's very hard to put forth a film that's about love and the joy of love and for it not to be patronising and not make people nauseous or make them roll their eyes.

You know, often films that are deemed positive, nobody wants to see them.

When I see 'Sunshine,' I see a film that part of me is kind of very proud of and another part of me is very sad about, so it's a really complicated film for me. And I've never been really able to resolve all that in myself.

When we focus on our gratitude, the tide of disappointment goes out and the tide of love rushes in.

We spend so much of our lives not feeling but doing, doing, doing, and movies remind us that we are human. That life is all the things we see, and yet there is beauty there. There's a celebration of life and all of its intricacies. Movies are magnificent.