From the first time you can look in the paper and you accept that you're the entertainment for some people that night, it becomes so much more enjoyable to play live.
Sentiment: POSITIVE
Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
Playing live is closer to theatre, although when you're up there on your own, it's quite scary and revealing because you're playing your own songs. It's like a one man show that you've written yourself.
Playing live is really the art form. You're a lot freer, a lot looser. You've got people there that can give you feedback, and then you can play off of that. There's so much more energy.
The studio work is the nasty, tedious, hard and nerve-wracking part, interrupted by moments of exhilaration. Playing live is the chance to actually have some fun and get on a stage.
When you have a play, you have to be on every night.
Playing live is such a total visceral experience, and really, as a musician, you're trained from the beginning to be a live performer.
Playing live is basically just hyperactivity and a certain sense of enchantment that I deliver to the audience, to let them know what it would be like to be inside my head.
I'm a live performer and I love playing live.
Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
When you're doing a play you get to go full speed ahead, all night, in front of an audience. It's a roller-coaster ride, responding to other actors, it feeds you.
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