In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really 'about.'
Sentiment: POSITIVE
The chaos can act as a magnifier of quantum fluctuations so that they can produce sizable effects in the world around us. But we know that that can happen often.
When everything is moving and shifting, the only way to counteract chaos is stillness. When things feel extraordinary, strive for ordinary. When the surface is wavy, dive deeper for quieter waters.
When we started there was this element of these experiments we were doing where we weren't really sure how the music would play out because the music was all on different players.
I come from a background of experimental music which mingled real sounds together with musical sounds.
Interesting phenomena occur when two or more rhythmic patterns are combined, and these phenomena illustrate very aptly the enrichment of information that occurs when one description is combined with another.
People are approaching electronic levels in music; although not all of it happens to tickle my fancy.
We are constantly nothing but a bunch of energy being processed. Into this whirlpool, the more complex the system, the more energy it requires to hold it together. Therefore, the more complex - the scientists call it 'coherent' - the more fluctuations are possible.
When you hear a large symphony orchestra. for instance, in a concert hall, there's a big, sweeping sound that just doesn't get on to a record.
Of course the word chaos is used in rather a vague sense by a lot of writers, but in physics it means a particular phenomenon, namely that in a nonlinear system the outcome is often indefinitely, arbitrarily sensitive to tiny changes in the initial condition.
Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.