First, those images help us understand the general and specific magnitude of disaster caused by the tsunami. The huge outpouring of aid would not have happened without those images.
Sentiment: POSITIVE
The timing was terrible, and having one disaster after another didn't help. I think the pictures on television of the way in which the disaster was handled also helped to turn off the public and Congress.
Nothing seemed more important to me than to make the world aware of the senseless death and starvation in South Sudan. I wanted people to see through the eyes of the suffering so my photos might motivate the international community to act.
After Sandy hit, my wife and I saw pictures of the devastation following the hurricane in the news. We immediately wanted to find a way to assist those in need.
With the art therapy, as soon as they saw the paper and crayons coming, we couldn't get it out fast enough. And we told them to draw about the tsunami.
The pictures we saw before we got down here didn't even touch the reality of what it is like being here. We can be right on the beach with all the devastation and still not be able to imagine what it was like when the wall of water actually came up.
Being here, it is just impossible to imagine what that was like, when the tsunami hit.
Of course, it gave the studio an enormous power, because I don't know any other place who had that skill with images to communicate with. And the need of these kinds of images are even greater now than they ever were because we are losing our life symbols.
The generosity of the American public toward the victims of Hurricane Katrina and the Tsunami has been reflected in the outpouring of support for the Pakistani earthquake victims.
The root of disaster means a star coming apart, and no image expresses better the look in a patient's eyes when hearing a neurosurgeon's diagnosis.
There was a tsunami and there are terrible natural disasters, all of this because of too little Torah study.
No opposing quotes found.