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When I was in the middle of the 'Scott Pilgrim' series, and it was slowly becoming more popular, though still not financially solvent, I had this real bratty instinct to turn around and do something super arty and dark. I felt dismissed by comics culture, stuck in between the artcomix world and the nerdcomix world, and I was cranky about it.

It's funny - when I first started as an actor, obviously there were long periods of being idle and all you want to do is work. So if I ever get the compulsion to feel like I should complain or feel like I want to take a break, I just remember how I was before and be very grateful for it.

For a while, I stopped enjoying making movies and I stopped enjoying acting, because I made a few decisions that I wish I hadn't made.

When I first came to Hollywood, I could not break into movies.

I'm a firm believer in stories with arcs and beginnings and endings and all that. 'Scott Pilgrim' is sort of one long novel, and it's so long that I get confused and sort of tread water sometimes. But there's definitely a goal to it. People who just dismiss it as shallow, that's their prerogative, but it's not really my intent.

I fell into the theatre because I felt I was doing it well, and I stuck to it for the same reason.

My first big break was 'White Chicks.' I had only been acting for about two years and I certainly didn't feel like I was ready for such an opportunity. It could only be the hand of God blessing me. I accept everything I'm given with great appreciation.

My departure from Hollywood was described as a walk-out. No one understood that I was cracking up.