The good thing about feature films is that the budgets tend to scale.
Sentiment: POSITIVE
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I have on a big budget film as well, but they're just much bigger.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I I have on a big budget film as well, but they're just much bigger.
That's one of the benefits of working on big budget films. You work with people who have a lot of experience and you get to learn a lot.
To me, it doesn't make any sense to pick your work based on the size of the budget of the movie.
A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
It can have an enormous effect because big budget movies can have big budget perks, and small budget movies have no perks, but what is the driving force, of course, is the script, and your part in it.
As long as you keep your budgets small, there's a way of making films.
The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.
The whole reason one wants to do lower budget films is because the lower the budget, the bigger the ideas, the bigger the themes, the more interesting the art.
The problem with feature filmmaking is that it offers you this mirage of being able to achieve perfection, as the theory of it is that you have control of every part of the film, though in reality, it is as inexact as the next thing in your life.