Writing 'Schottenfreude' has reinforced the fact that there are few, if any, emotions that have not been experienced, and analyzed, by some of the world's greatest writers.
Sentiment: POSITIVE
Memories, impressions and emotions from the first 20 years on earth are most writers' main material; little that comes afterward is quite so rich and resonant.
So much emotion goes into writing fiction.
Writing is a solitary profession; you are really alone when you write. Then the emotions become well shaped and distinct. But their transition into words must be done deliberately and with rigid artistry.
I'm writing about emotions.
I try to combine in my paintings cinematic feeling, emotional feeling, and sometimes actually writing on the page to combine all the different elements of communication.
All art is about appealing to emotion.
I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions.
So while it is true that I find really dark stuff funny sometimes, it's also true that as a writer of books I want to have the whole range of human emotions.
I have always used emotion as a writing tool. That goes back to me being on the stage.
The writer's joy is the thought that can become emotion, the emotion that can wholly become a thought.