I actually did Shakespeare when I was at North Carolina School of the Arts. I studied with Gerald Freedman and Mary Irwin - it was fun; I enjoyed it.
Sentiment: POSITIVE
I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.
Obviously we had to study Shakespeare at school, but to be honest, I was not a fan. I found the language very difficult, and I didn't enjoy watching it or studying it. I auditioned five times for the Royal Shakespeare Company early on in my career, and I didn't even get past the first rounds.
I studied Shakespeare all through high school. Both of my parents teach English and history, so it has always been around my experience as a young man.
I was a musical theater major at the University of Arizona. And I primarily trained with Marsha Bagwell. It was a classical program, so we did Chekov and Moliere and a lot of Shakespeare.
I had great English teachers in high school who first piqued my interest in Shakespeare. Each year, we read a different play - 'Othello,' 'Julius Caesar,' 'Macbeth,' 'Hamlet' - and I was the nerd in class who would memorize soliloquies just for the fun of it.
The highlight of my undergraduate years was a year-long Shakespeare course I took with Edward Tayler.
I went to Fountain Valley High School. I remember watching Grove Shakespeare productions here. It left a big impression on me.
I never wanted to do Shakespeare; I never liked watching it, it's always frightened me, and I've never been any good at it. But I really wanted to work with the director Tim Carroll and Mark Rylance.
I joined the Royal Shakespeare Co. with no experience whatsoever - I'd never been to a drama school or anything. But I was strong and could lift things, I could move scenery about.